Einstürzende Neubauten

Krems Stadtsaal Stadtsaal

Program text

Einstürzende Neubauten are long since an institution in the research of sublime racket. Blixa Bargeld’s Mephistophelian world view manifests in existentialist games with language. The music clatters and crumbles, it chinks, rattles, and saws. Sometimes the wounded animal in Bargeld shrieks shortly. Overall, however, there is more “nothing noths” today than the noise of collapsing sound architecture. But even though there are no burning oil drums on stage anymore, and the dressy suits can be paraded in the Elbphilharmonie: Einstürzende Neubauten still knows what it means to listen with pain.


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