“If
I could figure out a way to determine whether or not people are more
fearful or changing to be more euphoric... And if I had a third way of
figuring out which of the two things are working... I wouldn’t need any
of this other stuff. I could forecast the economy better than any way I
know. The trouble is that we can’t figure that out. I've been in the
forecasting business for 50 years - more than that actually - but I’m no
better than I ever was and nobody else is. Forecasting 50 years ago was
as good or as bad as it is today.”
Alan Greenspan
With
their new choreography, titled “Alan Greenspangrünspan”, fine artist
Karl Karner and choreographer Linda Samaraweerova once again remain
faithful to their method of letting genre- and form-bursting artistic,
sculptural elements on stage become participating and co-defining parts
of the plot. Karner/Samaraweerová’s works are not designed for the
stage, but always for stage spaces, possibly for the
three-dimensionality of a space in the actual sense of the word: What is
happening on stage can only be understood through the interplay between
the concrete intention of the artists, the responsiveness of the
recipients and the manipulation of the space; this “having-to-be” in the
space. The choreographed space acts as the aesthetic, concrete world of
ideas and possibilities in which the painstaking search for cracks is
more than merely suggested to the observer. Being is only a possibility,
understanding only a form. Primarily in its self-imposed artificiality,
“Alan Greenspangrünspan” likes to combine its real-life models, the
important being of a person, more precisely: the important being of man,
and an incidental, sleepy-wise natural phenomenon. Due to their
attributed continuity and reliability, both convey a false feeling of
security and happiness, which doesn’t have to stay that way: not false,
not secure, not happy, not just felt. In “Alan Greenspangrünspan",
Karner/Samareweerová let the space tell the stories. (Bruno Batinic)
Choreography Karl Karner and Linda Samaraweerová
Dramaturgy Bruno Batinic and Laura Samaraweerová
A coproduction of KASAL and imagetanz/brut Wien
Supported by Kultur Land
Steiermark
www.kunstnetzwerk.org
www.karner-samara.artfolder.net
opening hours during donaufestival:
Thu 28/4 5.30pm opening and live performance with Karl Karner and Linda
Samaraweerová
29 & 30/4 2-8pm
| Zeit | Artist | Location | |
|---|---|---|---|
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10:00 | Ole Aselmann: Berlin-Beijing | Kunsthalle - factory |
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17:30 | Karl Karner and Linda Samaraweerová: Alan Greenspangrünspan | Schauraum 35/NULLNULL |
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18:00 | Stirn Prumzer & Die Schwarzarbeit / Atzgerei | Gelände |
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18:00 | Dries Verhoeven: Thy Kingdom Come | Galerie Stadtpark |
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18:00 | DJ Smallcock's Vinyl Rally | Kunsthalle Krems |
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18:00 | Marnix de Nijs: Mirror Piece | Klangraum Krems Kapitelsaal |
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18:00 | Vienna Art Foundation presents Synaptic Driver | Kunstraum Stein |
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18:00 | New Black: Petit Bisou / Club New Black | Stadtsaal |
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18:30 | Rashaad Newsome | Galerie Stadtpark |
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19:00 | James Blake | Klangraum Krems Minoritenkirche |
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19:30 | New Black: Die Gesellschaft des Bösen | Stadtsaal |
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20:30 | Ben Patterson | Halle 1 |
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20:45 | Ben Frost | Halle 1 |
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21:45 | New Black: Die Kindertänzer | Stadtsaal |
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21:45 | Wu Lyf | Halle 2 |
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22:30 | Wild Beasts | Halle 1 |
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23:30 | femous orchestra | Halle 2 |
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00:15 | Owen Pallett | Halle 1 |