Sebastián Díaz Morales

In the exhibition at Galerie Stadtpark, the Argentinian artist and filmmaker examines the relationship between crowds and power in two works. While the large-scale projection of the film Thousands March places visitors in a frog’s-eye view, confronting them with an hour-long continuum of protesting people marching past, Díaz Morales’s second film, also a close-up, portrays the seemingly endless handshakes of a former Argentinian president at his inauguration.

An exhibition by Galerie Stadtpark.